Ten Great Valentine Movies #1—"When Harry Met Sally"

What It's About:
Harry Burns meets Sally Albright after they both graduate from the University of Chicago; they share a ride back to New York City. Along the way, we learn that Sally is naive, idealistic, and has not yet had great sex (Sheldon doesn't count). Harry, on the other hand, is shallow and misogynistic, and he lives by the theory that men and women can't be friends because the sex always gets in the way. They meet again five years later on a flight, where they once again strike up a conversation in which he offends her in about sixteen different ways. Five more years later, they meet in a New York bookstore and strike up a genuine friendship, with no sex in the way. Until sex gets in the way. Then they're not friends. Then he chases her down on New Year's Eve to deliver the best romantic line in a movie since Casablanca: "When you realize you want to spend the rest of your life with someone, you want the rest of your life to start as soon as possible." Cue the music!

Why It's Worth Watching:
Please. It's the best romantic comedy of the modern era, and it's right up there on the Mount Rushmore of movie romances. It's certainly in the conversation for the best movie of Rob Reiner's career (not to mention probably Nora Ephron's funniest and most insightful script). Billy Crystal (Harry) and Meg Ryan (Sally) are pitch-perfect in every way, and they are matched scene-for-scene with best friends Jess (Bruno Kirby..."You made a woman meow?") and Marie (Carrie Fisher, who steals every scene, naturally). Paired up with a Harry Connick, Jr. jazz soundtrack that reflects the wit and sophistication of the film, this is the perfect Valentine movie.

What's in it for Her:

What's in it for Him:

HAPPY VALENTINE'S DAY!

Ten Great Valentine Movies #2—"say anything..."

What It's About:
Lloyd Dobler (John Cusack) is a high school graduate with no real direction, other than the certainty that he doesn't want to "buy, sell, or process anything" as a career. Diane Court (Ione Skye) is the high school valedictorian on her way to study in England on a prestigious fellowship. She agrees to go out with him to an epic annual graduation party, and their summer romance proceeds from there. Her relationship with her father, whom she chose to live with after her parents divorced, complicates matters. He doesn't like Lloyd because he sees him as mediocre, someone whose only ambition is kickboxing and spending as much time with Diane as possible. Diane's father (John Mahoney) is also under investigation for his management of the nursing home that he owns, which puts further pressure on Diane in terms of her future. How will it all end? If you haven't seen this gem of a movie, which Entertainment Weekly selected as the Best Romantic Movie since the mid-1980s, then take this Valentine's Day to watch it; you (probably) won't be disappointed.

Why It's Worth Watching:
First of all, it's a reversal of the typical rom-com trope. Diane is the one who has it all together, the drive, the ambition, the direction, the bright future. Lloyd is her supporting character; all he wants to do is provide her with love and support so she can succeed. As he tells her father, "I want to be with your daughter. I'm GOOD at it!" Lloyd's love is true but also honest; Diane is, in the words of Lloyd's best friend Cory (played brilliantly by Lili Taylor), "a brain trapped in the body of a game show hostess." But he's so sweet to her in so many small ways, you get to experience Diane falling in love with him as the film progresses. Without spoiling some important details, ...say anything sets up some plot lines that you expect to go one way, but then the exact opposite happens, and it's so surprising and refreshing.

Writer and director Cameron Crowe puts in so many careful details, like the graduation party, which looks and feels exactly the way a high school kegger actually was (not the comic John Hughes version), that you're eager to see where this story is going to take you. It's eminently quotable in a hundred different ways. Add to that the brilliant soundtrack, scored by Heart's Nancy Wilson (Crowe's wife), featuring an eclectic mix of late-eighties tracks as well as the most iconic boombox lift in movie history—there's hardly any amount of praise that I cannot laud upon this film.

What in it for Her:
As I said, Diane is not merely the female romantic interest to Lloyd; she's the character with the most to gain and the most to lose. There are dozens of reasons why she shouldn't fall for Lloyd; she even mentions some of them to him out loud, and they become the rationale for their mid-movie breakup (romantic movies always have a breakup, after all). It's refreshing to see the female half of a romance movie relationship be her own person instead of simply an accessory to the male lead. Ione Skye makes teenage ambition mixed with apprehension seem all the more real with her performance, showing both strength and uncertainty in equal portions.

What in it for Him:
John Cusack is, for me, the ultimate movie bro. Throughout his career, all of his roles have seemed so relatable to myself and my own life experiences. I should mention another teen romance movie he starred in, The Sure Thing, which was Rob Reiner's directorial debut, which I considered for this list as well (it's great, watch it as a bonus!). This movie will bring back memories of high school loves both fond and foul for most guys. Best dude moment: pining for Diane after their breakup, he asks his guy friends for advice, none of which is useful. Then he asks them to justify their advice...just watch:

Ten Great Valentine Movies #3—"Dan in Real Life"

What It's About:
Dan (Steve Carell) is a local newspaper advice columnist "Dan in Real Life" who's attracted attention from a national syndicate that wants to meet him and his family. He is a widower with three daughters, two of whom are teenagers who treat him with open contempt at every opportunity. Dan takes his kids to his family's annual vacation at his parents' beach house in New England. On the way there, he meets Marie (Juliette Binoche) at a book store, where they talk, browse books, drink coffee, and realize that they are perfect for each other. There's one problem, however. She's dating his brother Mitch (Dane Cook), who brings her to the family vacation. Hijinks and dump truck loads of unrequited love ensue. Things become uncomfortable for Dan and Marie, then really uncomfortable for the rest of the family when they can no longer deny their attraction for each other. Dan's girls take a few minutes off from acting hateful toward their father to give him good advice, which he follows to a predictable but nonetheless wonderful ending.

Why It's Worth Watching:
Steve Carell is much more enjoyable in dramatic roles than comedic, in my opinion, and although this movie generates laughs, Dan himself is a sad and lonely widower who has given up hope for another love and lived for his daughters. He's so winning in every scene, but none more than when he sings Pete Townsend's "Let My Love Open the Door" and almost destroys his family (watch it, and you'll understand). Juliette Binoche is predictably luminous, absolutely beautiful in a way that few other actresses are, but warm, funny, silly, and sexy all at the same time. Dane Cook channels is natural BroDude/Douchebag persona for effective use as the charming but shiftless Mitch. The rest of the family is on point as well, especially Diane Wiest and John Mahoney as the parents. Anyone else who is part of a large family (Ever seen my holiday pictures? Bring a wide-angle lens, please!) will relate to the chaotic dynamic of love and drama that characterizes the weekend.

What's in it for Her:
Because I'm not a woman, I'm not entirely sure about this angle, but Marie likes Mitch; he's funny and simple, and because he's good-looking and sexy, they have a good time. But Dan is clearly the man she's supposed to be with, so what do you do when you meet Mr. Right but you're already dating Mr. Right Now? The fact that they're brothers further complicates matters for Marie, who is such a kind and gentle soul that she's willing to sacrifice her own happiness rather than cause pain to Dan and Mitch's family. She one of the more winning female characters in romantic movies because of her lack of selfishness, and that's so appealing. I also think women tend to be more sacrificing than men, so I'm guessing that women can identify with her feelings as well.

What's in it for Him:
This is a grown-up romantic comedy that deals with some serious issues, so it's appeal is really to a more mature male sensibility. What would it feel like to lose the love of your life too soon? It's something most of us would rather not consider, but we see Dan dealing with the reality of it. It's also got a real appeal for fathers of daughters; there is a point where they all go from "Daddy's little girl" to these eye-rolling, breath-huffing, sarcastic little women who treat you like the victim of severe head trauma. I'm happy to say that they grow out of it, but boy, those teenage years are trying. On the more positive side, it's easy to see why Dan would fall in love with Marie—who wouldn't?—but watching him try to keep on the straight-and-narrow for the sake of his brother and daughters—and failing hilariously—makes him all the more human and relatable.

Ten Great Valentine Movies #4—"Pretty Woman"

What It's About:
Edward (Richard Gere), a billionaire sociopath devoid of normal human emotion, gets lost in Hollywood and pays Vivian (Julia Roberts), a streetwalking prostitute, to give him directions back to his hotel. He pays her for the whole night, leading to one of her best lines: "I appreciate this whole seduction thing you've got going on here, but let me give you a little tip...I'm a sure thing." He decides to offer her $3,000 to spend the week with him as his "companion," eye candy for a series of business meetings. After a week of great sex with someone who's genuinely not impressed with his wealth and power, Edward's cold heart thaws out. He decides not to screw over the elderly CEO he was previously planning to ruin (Ralph Bellamy), fires his scumbag lawyer (Jason Alexander at his slimiest), and professes his love for Vivian.

Why It's Worth Watching:
Seriously, do I need to explain this? Are there any lifeforms on the planet who haven't already seen this movie? It's #21 on AFI's Top 100 Romances, directed by the late, great Garry Marshall, and features Richard Gere looking like a silver fox with Julia Roberts looking like...well, a young Julia Roberts. All sarcasm aside, this is Cinderella for grown-ups, a love story with a cynical edge that nonetheless ends up with a happy reunion (one the original screenplay eschewed for a more bitter and realistic resolution). Sharp supporting roles by Laura San Giacomo as Vivian's street-smart hooker mentor and Hector Elizondo as the hotel manager add to the overall wit and charm.

What's in it for Her:
Of course, no woman dreams of growing up and becoming a prostitute, but the dream of a rich, handsome, charming man sweeping her off her feet is the stuff of fairy tales and soap operas. But it's more than that; Vivian finds herself along the way, and she gains an inner strength that she didn't have before, one that enables her to walk away from her callgirl life and insist that Edward give her the whole fairy tale, happily ever after and all, or nothing at all. That, and it is oh, so delicious to watch her tell off those snooty bitches in that Beverly Hills boutique that wouldn't wait on her.

What's in it for Him:
There's a country song called "Trashy Women" that hits at the root of the appeal for men; part of the appeal of strippers and hookers, other than the obvious, is the idea that she may be faking it for everyone else, but if she really knew me, I'd be the guy. It's not true, of course, but the "hooker with the heart of gold" trope is found throughout countless movies for a reason. There's a bit of a white knight in many men, and this is the ultimate indulgence of that little fantasy.

Ten Great Valentine Movies #5—"Moonstruck"

What It's About:
Loretta Castorini (Cher) is a widow who waited for true love and then lost him too soon. Now in her 30s, she's settling down with sweet, kind, completely harmless Johnny Cammareri (Danny Aiello) in a marriage planned on security and companionship rather than love and passion. At Johnny's request, Loretta visits his estranged brother Ronny (Nicholas Cage), and sparks fly in every direction. They begin a furtive romance hindered by his insistence conflicting with her reticence. Eventually, love carries far more weight than security, and Loretta becomes engaged to the right brother—and the right man—after all...much to the chagrin of her mother (Olympia Dukakis), who asks about Ronnie, "Loretta, do you love him?" Loretta responds, "Ma, I love him awful," and her mother says, "Oh God, that's too bad."

Why It's Worth Watching:
First of all, it's an acting tour-de-force, with Academy-Award-winning performances from Cher (best actress) and Olympia Dukakis (best supporting actress) plus and winning original screenplay from John Patrick Shanley. Vincent Gardenia, who plays Loretta's father (who's cheating on her mother throughout the film, a major subplot), director Norman Jewison, and the film itself were all nominating for Oscars as well. Nic Cage is his own Internet meme machine, but in 1987, he was still an up-and-coming actor, and he shows his weird skills to ideal effect in this film. This is a film with a unique sense of place, emphasizing both the immigrant-otherness of Little Italy in New York City combined with a quintessential Americanism that seems familiar to all audiences. It's a wonderful, splendid movie to watch from beginning to end.

What's in it for Her:
There's a good reason why Cinderella is one of the most enduring stories in Western culture (and why all three of the Big Bang Theory women wanted to be her on their trip to Disneyland): it hits right at the heart of the romantic fantasy that the perfect person will swoop into our bland, dreary lives, take us away from toil and drudgery and give us a happily-ever-after ending. Moonstruck is essentially a retelling of that tale, with Loretta stuck at home with her parents, with a boring job as a bookkeeper, and settling for a man she doesn't love. Ronny makes an unlikely prince, but when you hear him talk about love, you see why he's the right man for her.

What's in it for Him:
I have a theory—most guys are going to deny it, but I don't care—that we're all a lot more romantic than we care to admit; maybe in some cases even more romantic than many women. Think about how many of the most well-known film archetypes do what they do for the love of a woman, from Bogart in Casablanca to Indiana Jones to John McClane in Die Hard. Moonstruck isn't an action movie, but it does involve a man who falls head over heels for a woman who's out of his reach. However, rather than deter him, it redoubles his resolve to win her heart. I've never met a male who didn't have a sharp memory of an unrequited crush; who doesn't think about what might have been if you'd made that grand romantic gesture, if you'd gone all out to win her love. Maybe you did. Maybe you're with her right now. Either way, Moonstruck will inspire that underlying sense of romance.

Ten Great Valentine Movies #6—"Roxanne"

What It's About:
A modern retelling of the literary classic Cyrano d'Bergerac, Roxanne features Steve Martin as C.D. Bales, the chief of an inept volunteer fire department in a Colorado ski resort town. He encounters Roxanne, played by Daryl Hannah at her most luminous, a grad student in astronomy who steals his heart at first sight. C.D., however, suffers from an unusually large and long nose, so he's hesitant to ask her out. His hesitation opens the door for Chris (Rick Rossovich), a gorgeous firefighter who's dumber than a fire hydrant. Just as in the novel, C.D. speaks his own words of love to Roxanne, but he gives the credit to Chris out of friendship, even as his heart burns for his true love.

Why It's Worth Watching:
It's Steve Martin at his very best—wry, clever, charming, understated, an oh-so-romantic. All the supporting performances are quirky and funny, as are the actors who fill the roles, such as Shelly Duvall, Fred Willard, Michael J. Pollard, and many other familiar faces. The scene in the bar where a drunk lazily insults C.D. with "big nose" prompts him to come up with 20 "something better" insults. Count them yourself...it's 26 in reality, and they're all laugh out loud hilarious.

What's in it for Her:
Chris is certainly firefighter pinup calendar handsome and hunky, but women will also relate to the idea that looks can only go so far. What really resonates in romantic terms is a true and open heart with the capability to express love and infatuation and lust in such honest, straightforward, and brilliant words. Speaking as a man who married way out of his league in the looks department, what makes a woman feel true love is more about how we make her feel rather than how we look—a fact I'm always grateful for!

What's in it for Him:
Roxanne is a truly funny movie from beginning to end. I don't know many people who aren't Steve Martin fans, and this is a comic showcase for his talents from beginning to end. It's the kind of dry comedy that made me lukewarm on his stand-up act when I was too young to understand how witty his jokes are. One of my favorites is when C.D. informs Roxanne that they gave up on irony in the ski town as a result of people skiing naked while high on weed...he was the only one who used it, and no one else understood him. That's comic gold right there!

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Ten Great Valentine Movies #7—"Starman"

What It's About:
The U.S. military shoots down a UFO; the alien, who looks like a blue Will-o-th'-Wisp, finds its way into the home of Jenny Hayden (Karen Allen), a young widow still deeply mourning her recently deceased husband, who looks an awful lot like Jeff Bridges. The alien finds a piece of the husband's hair, and using his DNA, creates an identical human body. Jenny, terrified at the appearance of her dead husband, tries to escape, but the alien kidnaps her, ordering her to drive him to Meteor Crater in Arizona, where he has arranged an evacuation by his species. Starman reassures Jenny that he means her no harm, and a tense truce moves into friendship and eventually, love. They race to stay ahead of the vicious government forces that are determined to capture, kill, and dissect the alien, adding action and suspense to their cosmic relationship.

Why It's Worth Watching:
Starman is exactly the kind of alien that humans would want to encounter: intelligent and powerful, yet civilized, curious, and compassionate. What makes Starman so appealing in his affable Jeff Bridges appearance is how he exhibits all the best qualities of exceptional human beings. Of course, the government cares nothing of this and is only interested in capturing and studying him. Part of me wonders if aliens have our planet quarantined due to our primitive savagery. The main attraction, however, is the relationship between Starman and Jenny, who cannot help but see her late husband in the alien. He is not Scott Hayden, however, so the natural feelings that anyone would still have for a deceased spouse deepen into something more profound as she falls in love with the kind alien soul within the shell of the human. This movie, directed with a deft and subtle hand by horror genre genius John Carpenter (who knew he could do deft and subtle before this?), shows us both the best and the worst qualities of our species as well as showing how love transcends death and the cosmos alike.

What's in it for Her:
The romance comes slowly, after a period of terror and confusion, and she'll likely identify with Jenny's situation. The dream of regaining a lost love is a powerful idea throughout the history of human storytelling (see "Orpheus & Eurydice"), and the dream is brought to life here. She will also appreciate the compassion of the Starman, particularly the scene where he brings a deer back to life from the hood of a hunter's car. Motherhood is another strong appeal for many women, and the revelation at the end of the film that Jenny is pregnant (Jenny and Scott couldn't have kids, but Starman heals her infertility) is a moment filled with joy and promise.

What's in it for Him:
The movie is an action/adventure film as well as a romance. As Jenny and Starman are pursued by government agents, led by character actor Richard Jaeckel, who plays "vicious bureaucrat" like he was part of the Nixon Adminstration, and opposed by scientist Charles Martin Smith, who chooses to help Starman escape back into the galaxy. The other quality men will find appealing is Jeff Bridges himself, who plays Starman as an affable goofball, a smarter and less-stoned early version of Jeff Lebowski, only with alien super-powers (now wouldn't THAT be a remarkable movie?!). There's more than enough action and humor to keep the most anti-romantic men interested right to the end.

Ten Great Valentine Movies #8—"Almost Famous"

What It's About:
Cameron Crowe's semi-autobiographical film about his young beginnings as a rock music journalist and critic is a love letter to the joy that musical fandom brings to its devotees as well as a funny and touching look into the insane lifestyle of a traveling band. William, a high school prodigy, loves music and writes stories on spec for Creem magazine. He talks his way backstage for a Black Sabbath concert but gets pulled into the orbit of their opening act, and up-and-coming band called Stillwater. William attracts the attention of Rolling Stone magazine, who pays him to go on the road with Stillwater, where his eyes are opened to the sad truth that musicians are as messed-up, problematic, and fallible as the rest of us. Along the way, he falls in love with groupie Penny Lane, the leader of the "Band Aides," a group of women who accompany the band across the country.

Why It's Worth Watching:
Crowe is at his best as a director in this film because the subject is so personal to him and his own experience, and the love shows in every scene. Patrick Fugit (William Miller), acting at 15 years old, brings a warmth and charm to the lead role. Outstanding supporting performances from Billy Crudup (Russell Hammond), Jason Lee (Jeff Bebe), Philip Seymour Hoffman (Lester Bangs), Frances McDormand (Elaine Miller), Zooey Deschanel (Anita Miller), and Kate Hudson (Penny Lane) make Almost Famous not only a sure-fire must-see Valentine's movie but also a modern classic that appeals to both music lovers and romantics-at-heart alike.

What's in it for Her:
It helps if she's a music fan, but if she is, the appeal of the band, especially lead singer Jason Lee and lead guitarist Billy Crudup is likely to stir up a few groupie fantasies (or might it be memories, hmmm?) of her own. The love triangle between Fugit, Hudson, and Crudup is complicated in the real-life sense that these things always are, and the genuineness of William's affection for Penny is at the heart of the romantic hook of this movie.

What's in it for Him:
Any guy who's ever picked up a guitar, a microphone, or a pair of drumsticks has likely dreamed about playing music live in front of an audience. A few of us have found the opportunity to do so. Even fewer have reached the heights depicted in this film, but the vicarious fantasy—which is what William experiences on the road with the band—is a major part of the film's appeal. In addition, any guy who's ever had a crush on a woman who's been a close friend but not quite a romantic reality will also identify with the dynamics of the movie's characters.

Why I Love this Movie:
Every time I watch this movie, I think about how awesome it would have been at age 18 to, instead of having gone to college, been part of a band traveling the country trying to make stars of ourselves. Then reality sets in, and I remember who I was at 18 (and 20, and 22), and I realize that had this happened, I most likely would have been the drummer found dead in the hotel room having choked on his own vomit. Sometimes God blesses us by not making our dreams come true.

Ten Great Valentine Movies #9—"Heaven Can Wait"

What It's About:
A remake of the 1941 classic black-and-white comedy Here Comes Mr. Jordan, this 1978 update features a wryly funny script by star Warren Beatty and writer Elaine May, adept and clever direction by Beatty and co-star Buck Henry, and a superb cast of comic and dramatic actors working in perfect rhythm. Beatty plays Joe Pendleton, an NFL quarterback with the LA Rams (before their move to and from St. Louis, so don't hold that against this movie!) who is taken from his body seconds before an accident would NOT have killed him. His body is cremated, so he is placed in the body of billionaire scumbag Leo Farnsworth, the target of an imminent murder at the hands of his wife (boozy, brilliant Dyan Cannon) and executive secretary (Charles Grodin, dryer than the driest martini and stealing every scene with his deadpan delivery).

Joe sets about getting Farnsworth's body in shape for an NFL tryout with the Rams (he purchases the team to make this happen, which still makes him orders of magnitude better as an owner than the current proprietor, ex-Missouri reptile P.Enos Kroenke), and in the process, uses his everyman common sense to try to do good with his company instead of maximize profits. His board and investors hate him, of course, but he does win the love of the radiant Julie Christie (Beatty's girlfriend at the time), an environmental activist. Can their love endure the test of multiple deaths and spiritual transfers? Is this a Valentine's movie?

Why It's Worth Watching:
One of the funniest movies ever made, each actor is at their zenith in terms of performance, humor, and personal appeal. Beatty has never been more handsome or charming; you really love Joe, and you want to see him achieve his dream of playing in the Super Bowl. The supporting cast is just as memorable, including James Mason as a heavenly administrator trying to make things correct and Jack Warden as Max Corkle, Joe's trainer and the only other human who knows that Leo is really Joe. Watching Dyan Cannon and Charles Grodin plan Farnsworth's murder is funnier than seeing Wile E. Coyote's plans to catch the Road Runner fall apart each time. The romance between Beatty and Christie is sweet and subtle, and you're rooting for them to be together as much as anything else that happens. This film carries with it a daffy sense of madcap, screwball comedy, but it's played straight and serious, and this juxtaposition is what makes Heaven Can Wait a masterpiece of humor and romance.

What's in it for Her:
Warren Beatty at the height of his looks, charm, and appeal; a romance based on the experience of someone exceeding your expectations and caring more for you than he does for himself; the hope that in spite of death or heavenly bureaucratic misadventure, love really does conquer all; HGTV levels of California mansion luxury for her to add to her Pinterest wish list.

What's in it for Him:
About a thousand laughs; an NFL plotline that entertains even though it stretches the limits of plausibility as much as an NFL officiating crew; entertaining the idea of taking over another man's identity (an extremely wealthy man) and the things you could do with it; the appeal of Julie Christie as Joe's paramour; the idea that even death cannot stop you from achieving your dreams and finding true love.

Ten Great Valentine Movies #10—"Dirty Dancing"

Calm down. Hear me out...

What it's about:
A teenage girl, on summer vacation in the early sixties in the Catskill Mountains, falls in love with an older dance instructor. She's Jewish and not quite cute enough to be considered pretty; her older sister gets most of her parents' praise and attention, while she is overprotected and discouraged from growing up and becoming her own person. He's working class, so he's obviously not good enough to be with a doctor's daughter. Plus, he's got a reputation for being a little too friendly with his middle-aged female dance clients. They overcome the disapproval of both their social groups, fall in love with each other, and get to bring down the house with the final dance of the year.

Why it's worth watching:
It's a story about two underdogs falling in love with each other. Both of the main characters, Baby (Jennifer Grey) and Johnny (Patrick Swayze) have to overcome not only the disapproval of the other side (her father, his friends) but also the pressure and expectations of who they are. She's supposed to marry higher than her social class, while he is expected to know his place and stay there. All they want to do is to be who they are, but peer pressure and societal expectations work against them every step of the way. It's a good social message, especially set in the early sixties, on the cusp of the civil rights and women's rights movements. It's got a great soundtrack filled with classic pop hits from the fifties and sixties, and the dancing is top-notch throughout.

What's in it for her?
Patrick Swayze dancing with his shirt off, for starters, but that's just the whipped cream on top. This is the realization of every young girl's romantic fantasy, that she'll go off for vacation with her family and fall in love with a good guy with a bit of a bad streak (reputation bad, not cooking meth bad) who will encourage her to do all the things she really wants to do (but her father won't let her), all the while sweeping her off her feet on the dance floor. It's Cinderella meets Romeo and Juliet in real life. I've never met a woman who didn't love this movie. Getting to watch this on Valentine's Day would be a wonderful gift for her.

What's in it for him?
Dude, did you read the previous paragraph? Choosing to watch this movie with her is the cinematic/romantic equivalent of two dozen red roses and a box of Godiva chocolates. She will think you hung the moon for her if watching this film is your idea. Plus, let's be honest about this...you know you've forced her to watch all the Star Wars (or Star Trek, or Avengers, or Monty Python) movies in your collection—you OWE her this one. Give it a try, at least. The movie is easy to watch compared to most other "chick flicks," and the rewards will be worth the effort.

Ten Great Movies to Watch with Your Valentine

I have a long history of ambiguity when it comes to Valentine's Day. My dating history looks a lot like a garden grown in the Mojave Desert; I went through my entire undergraduate career in college without even one date. Killer GPA notwithstanding, in those years, I chose to affect the Johnny Cash look each year on February 14. Solitude was my valentine.

But time has a way of changing the most hopeless of outlooks, and a maturity brought about by sobriety led me to meet my wife and start a family, and the years were filled with many happy Valentine's Days. A couple that stand out: Amy preparing dinner and having one of my favorite romantic movies cued up on the VCR (yes, it was many years back); the year I took Amy on a driving/selfie tour through all the "firsts" from our relationship (first meeting, first dance, first date, etc.).

This year's Valentine's Day is particularly special, as it is one of the many "first since" holidays that Amy and I will share since our remarriage last October. I haven't finalized plans just yet, but it's a sure bet that I'm not dressing like an undertaker this time around.

In recognition of that, and keeping in line with my blog theme of entertainment, I'm going to share my picks for Ten Great Movies to Watch with Your Valentine. They are in no particular order of quality, and like everything else we discuss here at Enter Sandman, these reflect my own preferences and not necessarily your own.

I have many more that won't fit on a list of ten, and I've even discussed some of them in the past, but this time, the focus will be on movies both parties of a couple can enjoy. It might even give some of you some inspiration for your own plans. The countdown starts tomorrow...hope you enjoy it, but if you don't—get your own blog!